If any one composer can be said to encapsulate the essence of Russianness,
it is Pyotr Il'yich Tchaikovsky (1840-1893), and yet he was the one
major composer of 19th century Russia who cannot be bound to the Russian
nationalist school.
Tchaikovsky paid heavily for his determination to be true to himself
above all else; few major artists have ever suffered the sort of critical
savaging that was meted out to him, which seems in striking contrast to his
welcome role in today's concert halls.
Tchaikovsky was born in the provincial town of Votkinsk, where his
father was a mining engineer.
His formal tuition began at home, and included piano and music theory
lessons.
In 1848, the family moved to St. Petersburg, and in 1850 Pyotr was
sent to a boarding school in the city.
After extensive law studies, he found employment at the Ministry of Justice.
At 22, he left law and entered the city music conservatory to study
with Anton Rubinstein, a composer and stupendous pianist.
In 1866, he went to Moscow, where Rubinstein's brother Nikolai
appointed Tchaikovsky professor of harmony at the conservatory.
He was temporarily swept up in the wave of nationalism, particularly
after meeting Rimsky-Korsakov, but soon returned to his cosmopolitan
instincts.
1877 was the most crucial year in Tchaikovsky's life.
He met Nadezhda von Meck, a wealthy widow who, impressed by some of his
early music, now commissioned him to produce some violin and piano
arrangements of his more recent works.
The relationship would last fourteen years and bring many commissions,
though they never actually met.
Tchaikovsky also met Antonina Milyukova, who in May 1877 started
sending Tchaikovsky infatuated love letters in which she threatened to
take her life unless he responded.
Initially cautious, Tchaikovsky eventually saw his unstable admirer as a
solution to his private homosexuality.
Within seven weeks of meeting her, and unbeknown to most of his family,
the two were married.
The marriage was (not surprisingly) a disaster, with the couple
separating in a few weeks and Tchaikovsky sinking into an overwhelming
depression.
By the 1880s, Tchaikovsky's music was being played as far away as the
United States.
After a period of isolation and prolific composition, Tchaikovsky
moved to Moscow to take up a second successful career as a conductor.
(On an incredibly successful visit to the United States in 1891,
Tchaikovsky conducted the opening night at what was to become Carnegie Hall.)
The circumstances of Tchaikovsky's death remain controversial to this day.
The official version was that he had died from cholera after drinking
unboiled water, but in the 1970s a Russian scholar produced a new account
of Tchaikovsky's last days that established suicide as the cause of death.
Shortly before his death, Tchaikovsky had been caught in flagrante
with a nephew of a high-ranking official.
Tchaikovsky's law-school colleagues, determined to avert a scandal
that would reflect badly on them, summoned Tchaikovsky before a "court of
honor" on October 31 and ordered him to commit suicide.
Two days later, he took arsenic.
Written in 1880-the same year as the bombastic 1812 Overture - Tchaikovsky's
Serenade for Strings is not only a favorite work in the concert hall,
but was also adored by Tchaikovsky himself.
When he completed the Serenade, he immediately wrote to his publisher:
"I am violently in love with this work and cannot wait for it to be played."
The work was an instant success when the first performance was given
in St. Petersburg in 1881.
Tchaikovsky's Serenade is surprisingly bright and lighthearted,
compared to the composer's many, melancholy works.